Special aics - 3rd national congress, Tipografica Editrice Romana, Viareggio (May, 1969)
Catalog of the third national congress for society 70, commitment to a policy of cultural promotion and participation, created by Adriano Pacioni, head of the Public Relations Office, tables by Angela Passalacqua.
8th NATIONAL BIENNIAL OF CONTEMPORARY SACRED ART - FEDERICO MOTTA EDITORE AWARD, Milan (September 1968)
Catalog of the eighth Biennial of Contemporary Sacred Art Federico Motta Editore Prize, texts by P. Ernesto Caroli and Bruno Molajoli, pp. 230.
sixth Roman biennial - exhibition of the figurative arts of Rome and Lazio SPQR, De Luca editore, Rome (February, 1968)
Exhibition catalog with presentation by Franco Rebecchini, p. 39.
ANGELA PASSALACQUA (May, 1967)
Personal exhibition catalog by Milla Pastorino, texts by Milla Pastorino.
MASKS - Hands on Cinema, Albero Editions - Libritalia, Rome (September - October 1963)
Monthly review of the show directed by Giovanni Calendoli, "Writers of the world gathered in Rome", portraits by Lina Passalacqua. P. 32-34-35-36-38.
MASKS Editions of the Albero - Libritalia, Rome (December 1962)
Monthly review of the show directed by Giovanni Calendoli, "Writers of the world gathered in Rome", portraits by Lina Passalacqua. P. 22.
MASKS Editions of the Albero - Libritalia, Rome (November 1962)
Monthly review of the show directed by Giovanni Calendoli, "Writers of the world gathered in Rome", portraits by Lina Passalacqua. P. 22.
MASKS Editions of the Albero - Libritalia, Rome (June 1962)
Monthly review of the show directed by Giovanni Calendoli, "Writers of the world gathered in Rome", portraits by Lina Passalacqua. P. 93.
VIA FRATTINA VI PAINTING AWARD, Via Frattina Association, Rome (April 1962)
Exhibition catalog edited by the Via Frattina Association, text by Vittorio Querél.
the ALMANAC OF THE ITALIAN SHOW 1959, Institute of Italian Drama, University Editions, Rome (February 1959)
Almanac of the Italian Entertainment edition of 1959, edited by Egidio Ariosto, Giovanni Calendoli and Bruno Marini, p.26